TLDR: Simrit's "Come From" is a repetitive chant-based song that centers a single, radical invocation: remember where we come from, we come from a woman. The song strips away complexity to focus on a foundational truth—that all human consciousness emerges from the feminine body, specifically the womb. Through cycles of remembrance, the piece functions as both devotional practice and philosophical anchor, returning the listener's awareness to the source before all concepts, identities, and separation. The track is from the album "Become" and appears designed as a live meditation or kirtan practice rather than a conventional narrative song.
Why Does Origin Matter in Spiritual Practice?
Spiritual traditions across cultures emphasize return—return to the source, return to wholeness, return to what is before thought. Simrit's approach in "Come From" distills this principle to its most literal and undeniable fact: every human being, regardless of gender or identity, originates in and emerges from a woman's body. This is not metaphor; it is biological and existential reality. Yet in modern consciousness, this origin is often obscured beneath layers of abstraction, social identity, and ego-based narrative.
The repetitive structure of the chant—cycling through the same phrase multiple times—mirrors traditional kirtan and mantra practice, where repetition itself becomes the method of transformation. By hearing "Remember where we come from" again and again, the listener's mind is progressively stripped of resistance to the idea. The chant does not argue for the importance of remembering; it enacts remembering through sonic and rhythmic insistence.
What Does It Mean to "Come From a Woman"?
On the surface level, this acknowledges biological reality: gestation, birth, and early nourishment all occur within and from the female body. But the teaching operates on deeper registers as well. The feminine principle—in Hindu, Buddhist, and many indigenous traditions—represents the ground of manifestation, the creative source, the void from which form emerges. To "come from a woman" is to acknowledge dependency on that creative principle, whether we interpret it personally (our mother, our grandmother, the lineage of mothers before us) or cosmically (the Shakti, the feminine energy underlying all existence).
Simrit's insistence on this remembrance suggests that modern consciousness—particularly in patriarchal or patrilineally-oriented societies—has normalized a forgetting. We are taught to transcend, to rise above, to move forward into abstraction and achievement. Yet the chant invites a counter-movement: to remember downward, into the body, into the source, into the feminine.
How Does Repetition Function as Teaching?
The song offers minimal lyrical variation, repeating the core phrase "Remember where we come from" and "We come from a woman" in cycles across approximately 90 seconds of performance. This simplicity is not lack but surplus—a surplus of clarity. In mantra and kirtan traditions, repetition is understood to bypass the intellectual mind and address consciousness directly. Each cycle deepens the grooves in awareness, like water wearing a path in stone.
Rather than explaining why we should remember, or providing historical or theological context, Simrit's method is sonic insistence. The listener is not asked to believe anything new; they are asked to remember something already known but forgotten. This distinction is crucial: remembrance is recovery, not acquisition.
What Is the Role of the Feminine in Consciousness Studies?
Contemporary consciousness studies, neuroscience, and contemplative psychology are increasingly attentive to how abstraction and intellectualization can obscure grounded, embodied awareness. The feminine principle—whether understood as receptivity, nurturance, groundedness, or the body itself—offers an alternative axis to purely ascending or transcendent models. To remember that we come from a woman is to affirm that consciousness is not separate from the body, not divorced from relationship, and not a solitary achievement but an inheritance.
The chant also carries implicit critique of spiritual traditions that valorize transcendence at the expense of embodiment or that treat the maternal/feminine as something to overcome. Instead, Simrit's teaching suggests that the origin—the feminine, the body, the source—is not something left behind but something to be returned to, again and again, as ground and renewal.
How Does "Come From" Fit Into the Album "Become"?
The song appears as part of the album "Become," a title that hints at a paradoxical spiritual inquiry: how do we become who we already are? How do we progress by returning? "Come From" supplies an answer: by remembering the source from which becoming arises. The album appears to be a collection of dharmic songs and chants, likely designed for both listening and practice. In this context, "Come From" functions as a foundational reset—a return to origin that precedes or underlies all subsequent becoming.
Where to Go From Here
If this teaching resonates, consider practicing the chant yourself—either by listening repeatedly or, if moved to do so, singing or chanting the phrase aloud. Mantra and kirtan are traditionally understood as practices that become more powerful with repetition over time. You might also explore how the teaching applies in your own life: Who are the women from whom you come? What does it feel like, physically and emotionally, to return awareness to that origin? Does remembering the feminine source change how you relate to ambition, achievement, or spiritual aspiration?
The song's brevity and simplicity should not obscure its depth. Like the most effective spiritual teachings, it offers little to analyze but everything to practice.
